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TOATOA 42
F-1300BTWP
F-1300W
F-1300WT
F-1300WTWP
F-2000B
F-2000BT
F-2000BTWP
F-2000W
- Compact wide-dispersion speaker
- Up to 180 W continuous program (F-2000B / F-2000W)
- Dispersion angle of 110° x 100°
- Easily mountable 80° x 80° horn adapter for increased dispersion control included
- 2-way speaker with high quality 20 cm woofer and balanced dome tweeter
- Paintable
- Covered rear-mounted terminal block (WP version)
F-2000WT
- Compact wide-dispersion speaker
- Up to 180 W continuous program (F-2000B / F-2000W)
- Dispersion angle of 110° x 100°
- Easily mountable 80° x 80° horn adapter for increased dispersion control included
- 2-way speaker with high quality 20 cm woofer and balanced dome tweeter
- Paintable
- Covered rear-mounted terminal block (WP version)
F-2000WTWP
- Compact wide-dispersion speaker
- Dispersion angle of 110° x 100°
- Easily mountable 80° x 80° horn adapter for increased dispersion control included
- 2-way speaker with high quality 20 cm woofer and balanced dome tweeter
- Wall/ceiling pan-tilt mounting bracket included
- Paintable
- Covered rear-mounted terminal block
HS-1200BT
HS-1200WT
HS-120B
HS-120W
HS-1500BT
HS-1500WT
HS-150B
HS-150W
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Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.